My father sang for himself,
out of sadness and poverty;
perhaps from happiness,
but I'm not sure of that.He sang in the garden,
quietly, a quiet voice
near his wallflowers
which of all plantshe loved most, calling them
gillyflowers, a name
learned from his mother.
His songs came from a timebefore my time, his boy's
life among musical brothers,
keeping pigeons, red and blue
checkers, had a racing cyclewith bamboo wheels. More often
he sang the songs he'd learned,
still a boy, up to his knees
in French mud, those dying songs.He sang for us once only,
our mother away from the house,
the lamp lit, and I reading,
seven years old, already bookish,at the scrubbed table.
My brother cried from his crib
in the small bedroom, teething,
a peremptory squall, then a longwail. My father lifted from
the sheets his peevish child,
red-faced, feverish, carried
him down in a wool shawland in the kitchen, holding
the child close, began to sing.
Quietly, of course, and swaying
rhythmically from foot to foot,he rocked the sobbing boy.
I saw my brother's head,
his puckered face, fall
on my father's chest. His cryingdied away, and I
read on. It was my father's
singing brought my head up.
His little wordless lullabieshad gone, and what he sang
above his baby's sleep
was never meant
for any infant's comfort.He stood in the bleak kitchen,
the stern, young man, my father.
For the first time raised
his voice, in pain and angersang. I did not know his song
Leslie Norris (b. 1921)
nor why he sang it. But stood
in fright, knowing it important,
and someone should be listening.